After another hilarious show on Sunday with Todd Barry, as happens after every show we put on, people said to me, "I had no idea this sort of thing happened in Eugene!" and continue to tell me about how they want more shows and events exactly like the ones we put on.
Well, you got plenty of chances.
I tell them about our monthly shows, and that they should invite their friends, but that there's a variety of other shows that are going on around town on a regular basis, too.
We have nationally and internationally headlining comedians coming through on a monthly basis. Some of these people you might have known of for years, and others you may never have heard of. If you're skeptical, check the comic out online beforehand to know if they're for you. But if you see Just Comedy attached to any show in any way, you can bet that we're doing our best to make the show top-notch, at whatever notch that might be.
One thing to keep in mind is that not all comedy is the same. There are also a variety of other types or levels of comedy, and you're not always sure of what you're going to get. Here in Eugene, there's everything from open mics to showcases to regional headliners and bigger shows as well. We've kind of got our hands in all the pots, but right now I'd like to look at open mics a little more.
This is where it all starts. Every comedian you've ever seen on anything started at an open mic somewhere. From Seinfeld to Chappelle, they've all done open mics. It's a grind, but it's necessary. It's where comedians learn to not only write - but perform - jokes.
The stakes are usually lower, meaning nothing amazing will come of a brilliant set, other than the resulting euporic high, and nothing awful will come from a tremendous bomb, which every comedian experiences.
There might be two audience members, 20 comics, and a bartender, or there might be 30 audience members ready to laugh - you're never really sure. One week the room might be "hot" (a good, receptive crowd), and the next week you could hear a pin drop. That's the game. That's what you signed up for when you put your name on that list or put your butt in that chair. Comedy isn't all highs, not by a long shot. Any "comic" who thinks they don't have to start with open mics is sorely mistaken.
Open mics are just that - mics that are open to pretty much anyone. You can perform. Your mom can perform. Hell, let's get your cat up there and see what happens.
Because anyone from absolute first timers to seasoned pros get onstage at open mics, you never really know what you're gonna get. You might leave feeling great about comedy, or you might spiral into a deep depression where you only eat foods from boxes for two weeks - and you were just an audience member!
Sometimes a comic will come out of nowhere and absolutely crush (have a great set with lots of laughs), and other times they'll bomb so hard you wonder who their emergency contact is.
For those of you who don't know, "bombing" is when a comedians has an awful set. No or minimal laughs, they get frazzled, they forget punchlines, they don't tell jokes, they mumble, you can't hear them, they get heckled, whatever. Anyways, it's bad, and my palms are sweating just thinking about it. If you've never experienced it, imagine getting broken up with - by everyone in the room.
Each mic is different, and may come with its own set of loose rules and guidelines that comics have to abide by in order to get consistent time on the mic. But whatever the rules of the mic are, for the love of Carlin...follow them!
The most important rule of most open mics: DON'T RUN THE LIGHT. That means, if you're told you have four minutes, do four minutes. Not four minutes and ten seconds, and certainly not five minutes. That's a surefire way to get on the host's bad side, and maybe not even be able to get on that mic anymore, or at least be banned for a while.
And not all comics are going to have the same amount of time. Some more seasoned comics might get a minute or two more, and a newbie might get a brief three minutes. Believe me, though, it's up to you to make the most of it. I've had 30 minute spots feel like 2 minutes, and I've had 3 minute mics that felt like the extended version of Rapper's Delight (in a bad way). Don't cry about it, do your time, and respect the other comics' and host's time.
For a town its size, Eugene has no shortage of open mics. Sundays, Mondays, Tuesdays, Wednesdays, and Thursdays all have at least one weekly mic on them. That leaves Fridays and Saturdays as the only current days unoccupied by open mic opportunities, but those nights are usually booked up by showcases and other offerings.
For a list of all the open mics, check out our friends at www.eugenecomedyscene.com 's open mic page: https://eugenecomedyscene.com/open-mics
Seth and I (but mostly Seth) have recently started a new open mic on Thursdays at Sessions (44 E.7th Ave.) that has a fun twist. It's a comedy open mic bingo. What's that mean? Good question, and we're still figuring out how to explain it every week. But basically, it's just like bingo, but with comics on the mic doing their jokes. If they talk about a certain topic that's on your bingo card, you get a square. If they do something on your bingo card, you get a square. And so on.
And once you get a row all filled in, you say "Bingo!" and win a prize. There is a judge, however (it's been me so far), and if you marked a square that I don't have marked, then you have to argue your case to me. If the judge doesn't agree, then we keep playing and you don't get your bingo. Sound complicated? Well, I promise it's not. It's a pretty fun way to learn a little more about comedy, get a couple chuckles and maybe even see the next Chappelle...
When I had the idea for Just Comedy, it was because I saw a space in Eugene that could be filled. I’d built a certain skill set, and level of determination, to make things happen in spaces where they hadn’t happened before. For some eight years, along with some of my funniest and hardest-working friends, we built an English-language comedy scene that wasn’t really there before in Seoul, South Korea (and beyond). We weren’t the first to do it, and we’re definitely not the last, and that’s important.
What matters is that we did it. We booked international headliners, we booked monthly and weekly and sporadic shows in bars and hotels and halls and cafes and subway cars, often to the bemusement and befuddlement of the unsuspecting patrons and passerby. But that didn’t stop us. We just kept going. Until we left.
Eventually the pull of the return to North America became too great for me to ignore. And not because my life abroad was boring or unfulfilling, but because the seasons were changing, or my friends were all leaving and I didn’t want to go through the painstaking process of making friends again as an adult, or some other reasons that I can’t think of right now. And other things were calling me: a job opportunity (that failed), a romance (crashed and burned), and family (also challenging) all made me want to (or quite possibly forced me to) start again…in my hometown.
And after about a million other things, I found Eugene again. It’s my hometown. Born and raised. West Eugene guy here, blue collar family, never had too much. (Don't worry, I'm not about to bust into some John Cougar Mellencamp song.) And through opening my eyes to other people and opportunities, I’ve experienced so much more of Eugene than I’ve ever seen. It’s been awesome. Through relationships and pursuits and shows and people, I’ve stumbled upon a newfound appreciation for my Eugene. Don’t get me wrong, I’ve got an ambivalent relationship with my hometown, but that’s okay. We all do, and I’m going to keep on making the best of it while I can, one show at a time.
Flappy New Year, everybody! Well, we're back in the Roaring 20's so get out your ankle length skirts and fancy pearl headbands and be prepared for prohibition once again! Actually, I don't know what any of that means, as I have been sick for literally every second of this decade, which is a tenuous start at best. Even though I feel like a moist towelette that's been dried and covered in cat hair, I still feel good about what's to come!
What I really want to say is thank you for making 2019 such a great first year for Just Comedy, and the Eugene Comedy Scene in general. Without so many amazing community members coming out to our shows and helping us along the way, we wouldn't be able to bring the best comedians working today to little old Eugene, Oregon. Please keep coming, and bring your friends. The more people that show up, the better we can make this thing.
As far as what's to come, we're excited about the upcoming year. We've got more great shows coming up with Todd Barry in January and Jonah Ray in February, and you'll get a bigger taste of more local comics for our one-year anniversary show in March. Our goal is to put on a big show at Whirled Pies every month, while also expanding shows to other venues, like Sessions on Thursdays for comedy open mic bingo along with some other great featured shows there as well.
So here's to easily bendable resolutions, a great year behind us, and a great year ahead. 2020 - the year of the Rat with perfect vision!
I’ve wanted to be a comedian since I was 5 years old. The moment that I understood the power of comedy was when I saw my parents stop arguing (they argued a lot) and sit down together to watch a Saturday Night Live sketch. From that moment on I looked everywhere for funny because I knew it could be a tool that could be used bring peace and happiness to my home. I soon discovered stand up. The first set I can remember seeing was Steven Wright on the Tonight Show. I was hooked.
The seeming simplicity of stand up is what intrigued me. Before that, John Ritter was my comedy hero but to be funny but he needed a scenario, a reason to fall over a couch… and a couch to fall over. Stand up is just a person relating their ideas to an audience. That was magical to me, still is.
Throughout my adolescence, “comedian” was my answer to “what do you want to be when you grow up?”. We moved around a lot so I didn’t have distractions like friends to take my focus away from my only real passion. At 12yo, I did my first set of original material in a laundromat to an audience of my mom and a couple of unsuspecting patrons who didn’t have a choice in the matter. My mother was brutally honest when I asked why she wasn’t laughing and simply told me she didn’t think it was funny. Personally, I think she didn’t connected to my 3 minutes of jokes about Super Mario but comedy is subjective etc.
I started high school in the early nineties right around the collapse of the comedy boom. Started making friends and though I still followed comedy stuff at home, stand up wasn’t what was cool at the time. Music, skateboarding, video games, sex, and weed kind of bumped jokes out of the prime spot of my interests. Also, high school will replace any desire to put oneself out there with the desire to look cool or at least not attract unwanted attention.
Fast forward a decade or so. I had experienced some of the world. Fell into a career that I didn’t hate. Started a family. Did all of the things that I thought people do to be happy and I loved those things but I wasn’t happy. I was bored. Looking back on it, I just had no way to express myself. During this time, we saw the rise of podcasts. I could consume comedy for 8+ hours every day. I dove head first into comedy nerd-dom.
Eventually, I caught the bug and decided I had to give it a shot. I mustered all the confidence I could and went to Portland to try an open mic. Sunday evening at Harvey’s Comedy Club I did my first real set to a room full of comics with their noses in their notebooks. I promised myself that if I got one laugh, I’d try it a second time. I got a halfhearted chuckle during the set up to one of my jokes. Overall, huge fail.
Well, that’s settled. I’m not a comic. Right? I wish it worked like that. That bomb kept me away from microphones for about a year. Deep down, I still wanted to do comedy more than anything. I still felt like I was capable of being funny on stage though I had little evidence that it was possible. I continued voraciously consuming comedy and talking about it to anyone who’d listen but I was still shell shocked from my only attempt.
At one point my then mother-in-law called me to say she read in the paper about a local comedy show where they were holding an open mic afterwards. I tried to come up with a reason not to. She offered to watch the kids all night so I’d have time to prepare after work. I had no good reason to not do it. I asked where it was. She replied, “Cozmic Pizza”.
I arrived early, signed up for the open mic portion of the show, and sat in back. I watched the show. It was fine but far from a professional comedy show. People were still laughing though. That did settle my nerves a bit. The main thing that kept me in my seat was knowing that I could get up and leave whenever I wanted. No one is making me do this. Despite all of the dread I was feeling, I reminded myself that I wanted to be here.
Pretty soon, they called my name. As I ascended the steps to the stage, I cursed myself for wanting this so much. I wanted to get it over with as soon as possible so that I could go back to enjoying comedy safe in the knowledge that I am wholly unfunny. My set was the exact set I had done a year prior because why start learning from my mistakes now? Also, I sincerely thought they were funny.
As I delivered the first joke into the mic, I braced myself for the overwhelming silence that I was certain would follow but then they laughed… at the punchline… where they were supposed to laugh! I was actually shocked. What now?! Oh yeah, another joke! I did everything I had prepared and they laughed at every punchline. It felt so good that I started riffing after I got through my jokes. That didn’t go as well but I did end on a laugh.
I walked down the steps off the stage in slow motion. It was the first time I actually felt validation for something I had done. It was the first time I felt relatable. I knew that I’d come to this late in the game. I knew that being a beginner in comedy over 30 years old with a family and a mortgage in Eugene, Oregon was not exactly the path to The Tonight Show or an HBO special and I didn’t care in the least. As I walked of that stage that night I knew one thing, I will never not do this. Whenever I had an opportunity to tell jokes into a microphone, I would take it.
That was 9 years ago this past August. Also, this August, Rudy and I hosted two shows on that same stage (although the name of the venue has changed and the pizza is better). That space means so much to me. When Rudy and I were putting the first few Just Comedy shows together we discussed a lot of venues but we always came back to Whirled Pies and I’m so thankful that we do these shows there. It is the most Eugene venue I can think of. Kaj and the staff are incredible! A lot has happened since that first good laugh but one thing that hasn’t change at all is that I still love comedy and I will never not do this.
I want to find five thousand people in our area who love comedy. When you get past the Seinfelds and the Kevin Harts and the Ellens, do you have any favorite comedians? Do you watch comedy like you listen to music? Do you know people’s albums? Track listings? Some people do, and that’s great. Some people don’t, and that’s also great.
When people ask me who my favorite comedians are, nine times out of ten, they have no idea who I’m talking about when I answer. And I’m kinda bummed about that. I want people to know just who Mike Birbiglia and Tig Notaro and Rory Scovel and Paul F. Tompkins are. Those four are actually pretty huge (and if you’re reading this tiny blog, you’re far more likely to know who they are), but most casual fans might know maybe one of them. If you don’t, that’s okay, but your life could be sooo much better if you gave them a chance. With just those few names, they have released dozens of hours of material in various forms that you might find absolutely hilarious and mesmerizing. You might also not enjoy any of it. That’s okay, too. But try it. And find something you do like. I keep going back to comedians’ stuff, just like you would listen over and over to a favorite music album. For me, for some reason, it doesn’t get old.
I’m not saying you have to be a student of comedy or a comedy nerd to be considered a “true fan”, whatever that is. I know writing what I’ve written could be off-putting, and that’s not the goal. I’m not saying you have to live an examined life to be fulfilled. You don’t have to know or examine why you like something (although I think that is a hugely rewarding part of the experience of being a fan of anything). What I am saying is that there is so much more to comedy than what you see on TV or on your phones. There are literally hundreds of comedians out there with thousands of hours of material, and that’s a bit overwhelming. But you can start somewhere. Make a list of people you’re interested in, and do some research for yourself. See who's opened for them. Check out festivals they've been on. Ask a friend for some recommendations. Go down a youtube rabbit hole. Come to one of our just comedy shows.
And that brings me back to this five thousand number. If we have five thousand people in Lane County who love comedy (and I know we do), who are open minded enough to go to a show of a comedian that they may or may not have ever heard of, who take the time to support and go to live comedy shows of all types from open mics to professional headliners – if we have five thousand people who do those things, then we will be able to put on amazing shows more and more often. We’ll be able to bring bigger and more well known names to our intimate and local venues. Bringing amazing comedians to a pizza joint in my hometown has been a dream come true. Maybe someday we’ll even get one of the comedians I mentioned above. We want to keep being able to do this for as long as we can. And for that, we need you.
Our goal with just comedy is to bring the best comedy and comedians to Eugene. Every month. For as long as we can. Both Seth and I (Rudy) have watched, listened to, and lived comedy for the past ten years. And we still love it. We love performing it, we love thinking about it, and we love watching it.
And we want you to love it, too. We want you to know that if you come to a just comedy show, it has been put together with the utmost care and joy. Every comedian we have brought – and will ever bring – to Eugene is a professional who has worked for decades to become as amazing as they are. You may not know all of their names by heart, but if you see them perform you will quickly realize how skilled – and hilarious – they are.
We think there’s something special about attending a live professional comedy show. Seeing faces you know from late-night shows and sitcoms perform their best material in a local and personal setting is different from checking out 30 seconds on YouTube. Watching clips on your phone is great, but laughing for an hour and a half with 300 other people who just love comedy is a magic that can make your day, week, month.
So come on out. Come out to a show to experience live comedy. To support live comedy. To support local businesses and comedians. To share a laugh with friends. To take a load off. To have fun. To try something new. Come out because you’re curious. Come out because you’re excited. Come out because you have nothing else to do, or because you have a million things to do. Come out because you just love comedy. We’re excited to see you.